Rage, Goddess

The hazards of writing a Maria Callas biography go beyond separating fact from fiction

This is a subscriber-only bonus comes from the editorial-room floor of Maria, Medea, and Midsommar. Subscribe to read in full — I also recommend reading Part 1 and Part 2 of the essay that this came from for added context.

With a nearly-7,500 word final product, it would seem like I’d be hard-pressed to find anything else to say about Pasolini’s Medea, …